Structured as a church service, this 1992 extended piece from the Wynton Marsalis Septet packs elements of African-American gospel, blues and 19th-century program music into one innovative project. Movements inspired by the works of Duke Ellington, Jelly Roll Morton and even Johann Sebastian Bach include "Devotional," "Benediction," "Hymn," "Scripture," "The Lord's Prayer," "Altar Call" and "Uptempo Posthude."